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Originally published as a Consultant's Connection
column in Pro AV Magazine
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Integrating Videoconferencing Products
(and Budgets)
One pitfall that many owners encounter that makes the budget jump is
underestimating the impact of the word “videoconferencing” when it
appears in the initial description of a system.
By Tim Cape, CTS-D
AV system users usually know what
they want when it's time
for a new system or even a whole new facility. They have certain
functions, equipment
and often, a certain budget in mind. These three things don't always
match up,
however, and the budget is usually the biggest mismatch. Typically this
is a
result of what is commonly called the Internet Box Sale Syndrome—where
initial
budgets for a new AV system are based on individual pieces of equipment
priced
on the Internet without the benefit of having experienced a full-blown
contracted integration project.
Purchasing equipment directly and
installing it using
in-house personnel can be a very cost-effective and manageable mode of
operation for relatively straightforward standalone systems. However,
most
building owners aren't set up for full-scale AV integration in-house,
just as
they aren't geared for full-scale building design and construction
in-house
either. They contract out these services as the need arises.
When the bottom line isn't
For $10,000 to $20,000, many rooms
can be outfitted with a
“hang-‘n'-bang” system, including a fixed projector and screen in the
ceiling
or on the wall, a DVD player and VCR plus inputs for a computer with a
wall-mounted
control plate to select each source.
However, systems can get more
expensive and complex to
design and install when there are more sources, more displays with
different
images, a more elaborate control system, sound reinforcement and
perhaps, yes,
videoconferencing. At some point it becomes impractical for an in-house
design
and installation, not to mention the additional room and infrastructure
design
that is usually needed.
Users and owners who have survived a
large integration project
have a better idea of what integrated systems cost, as well as what it
takes to
actually get a large system completed, but that's another story.
Establishing
the budget for a new system that hasn't been designed or even fully
programmed
to determine the detailed requirements is no simple task. It requires a
lot of
experience with installed systems to have a good feel for what will be
a
$20,000 room on up to a $500,000 room based on a user's description of
what he
or she wants to do in the space.
To make matters worse, there is a
Catch-22 for many owners
and end-users in this process: The users and/or the AV/IT staff have to
come up
with a budget for the organization to allocate funds for a particular
project
before the time, information and expertise is available to establish a
truly realistic
budget number. Once the project gets rolling and the AV estimate comes
back
two, five or 10 times higher than the previously established budget,
the opportunity
may have passed to get the needed funds.
Videoconferencing can multiply budgets
One pitfall that many owners
encounter that makes the budget
jump is underestimating the impact of the word “videoconferencing” when
it
appears in the initial description of a system. It can be an even more
elusive
problem when the videoconferencing function is obscured behind the
words
“distance education” or “distance learning” in the list of functions
for a
particular space. Once these terms enter the picture, the impact on the
AV
budget is often a quantum leap from the budget required for the same
system
without videoconferencing. Why is this?
The answer lies in the scale of the
system and the impact
the videoconferencing function has on the room. In a system where 25 or
more
people require interactive, two-way videoconferencing by ISDN, IP or
any other
connection, a set-top or roll-about unit probably won't do the trick.
An image
size requiring projection is usually needed, and to accommodate
multiple views
and sources, additional cameras and switching inputs are necessary.
More audio
inputs are also required along with echo cancellation, since there may
not have
been mics needed for the audience in a presentation-only system.
Additional control programming and
hardware for the
videoconferencing functions will increase the overall price, too. For
larger
rooms, the jump in cost can be even more significant (and it becomes
less
feasible for everyone to be mic'ed). That said, if the room/seat count
is small
enough (5-15 people), then the videoconferencing add-on may indeed
involve only
the cost of a set-top or roll-about system, but it's important to know
the
breaking point for the jump up to a larger integrated system.
Infrastructure costs money, too
Okay, we've established that the red
flag needs to go up
(along with the budget) when the V-word comes up. But wait, there's
more! The
flag gets even higher as we look at the domino effect of this
technology. Sure,
the AV system gets more complex and expensive, but what about the
infrastructure? In a standard presentation system, the lighting,
acoustics,
power, conduit, cooling, space planning and equipment integration need
to be
addressed, adding some cost to the base building compared to a room
without an
AV system. However, once videoconferencing enters the scene, more needs
to be
done to the room to make it work.
For example, where the lighting
infrastructure for presentations
(two or three carefully planned zones of standard parabolic fluorescent
ceiling
fixtures, for instance) may add some cost to the base building, the
increase to
allow for good videoconferencing raises the bar (and the budget) a bit
more.
Additional directional lighting fixtures may need to be incorporated
and walls
need to be lit. And the presenter may need to be lit for cameras while
the
image on the front projection screen two or three feet away needs to
have an
acceptable contrast ratio. Not a simple or inexpensive problem to
solve.
Rear-screen projection can make the lighting vs. image problem a little
easier to
solve, but there are additional square footage and projection mounting
costs
involved.
And what about the acoustics? Echo
cancellation goes beyond
the typical room environment and needs better-behaved acoustics than a
standard
presentation room might require. More acoustical wall panels, heftier
wall
construction and maybe another door or two for a sound lock. Is this
reflected
in the AV budget? Almost never. Even if the AV budget was well-crafted
at the
pre-design phase of a new building, the impact of the infrastructure in
the base
building budget is rarely considered.
All of these infrastructure items
have a cost, and
understanding this in the early phases of a new project, particularly
the
“can-I-have-some-money-please” phase, can make all the difference in
the
“do-we-have- enough-money” phase that ultimately follows.
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